Charles William Rotsler (1926–1997) was an award-winning artist and science fiction author. Bill was also involved in the burgeoning adult film industry starting in the late 1950s, first as a stills photographer on the set of adult films, and later when he wrote, directed, or acted in over 20 adult films during his career with Boxoffice International Pictures, In 1966, he created Adam Film Quarterly, later called Adam Film World, one of the earliest magazines to provide commentary on pornographic films. He wrote hundreds of articles using a plethora of pseudonyms including ‘Shannon Carse’, ‘Cord Heller’, ‘Clay McCord’, and ‘Merrill Dakota’ – sometimes even interviewing himself. He also wrote the seminal book, Contemporary Erotic Cinema in 1973. But this series of articles is not about Bill Rotsler. It’s about a group of friends of his. Four friends. Four women, to be more specific, who at various times lived with him, and featured in his films, photographs, and magazines. Their lives intersected in his house, as they played their parts in helping establish the adult film industry in Los Angeles. He called this group, ‘The Gruesome Foursome.’ The Rialto Report tracked down each of the four to hear about their lives. This is the third part: Uschi Digard. The interview is taken from our podcast with Uschi. We have added additional information taken from lengthier conversations we have had with Uschi over the years. All photographs are taken by Bunny Yeager, and are courtesy of Grapefruit Moon Gallery. You can read Part 1, the story of Kathie Hilton (and Gerard Broulard) here , and Part 2, Malta’s story here. ———————————————————————————————————————————————- Uschi Digard Uschi Digard always seemed to be larger than life. She was an indestructible, formidable, pinup beauty who was emblematic of the sexual revolution in California. From the late 1960s through to the early 1980s, she was in hundreds of magazine spreads, had many issues dedicated to her, and appeared in countless softcore films, too. Her Amazonian features and natural good looks meant she was always in demand as she proved popular with fans. Or in the words of director Russ Meyer, her close friend and frequent collaborator, “She was a buxom cantilevered barracuda who was a Trojan at work.” Russ was a man’s man, a World War II veteran, and a tough task master, and in Uschi he met his match and found the perfect foil. The combination of her sex appeal with her own sentimental tireless work ethic resulted in a close friendship that lasted decades. But for someone with such a larger than life presence, Uschi was also elusive and deeply private. Her face and body may have been all over the magazines, but her own voice was notably absent. Throughout her long career as a nude model and actress, she revealed everything, but revealed nothing. She rarely gave interviews, and the scant biographical information that was publishe...