Prof. Leslie Reagan is the probably the country's leading expert on the history of abortion laws. Her award-winning book When Abortion Was a Crime: Women, Medicine, and Law in the United States, 1867-1973 is the most comprehensive available history of the era of criminalized abortion before Roe v. Wade, and Prof. Reagan is quoted regularly in the press for her knowledge of US abortion history. Her book on abortion law is distinguished by the fact that it focuses not just on the text of laws, but on the enforcement process, i.e., the lives of women who sought abortions. She exposes how criminalized abortion, even when it does not prosecute those getting abortions, is a horror for women and creates an intensive regime of the surveillance and policing of pregnancy.In this episode, we look at some of the history that the right chooses to ignore, including:How Samuel Alito's view that there is "no tradition" of allowing abortion is completely historically ignorant.Why The Economist is completely wrong to say that "there is no documented case in America of a woman being prosecuted for seeking an abortion since 1922." First, there is, and the outrage over one such prosecution helped fuel the movement that brought about Roe (see newspaper headline above). Second, even when doctors are the ones prosecuted, women could be arrested and coerced into giving testimony and subjected to intrusive interrogations by the state.The horrifying realities of what criminalized abortion meant, including sexual coercion by unlicensed abortionistsHow, even in the era of criminalized abortion, abortion was widespread and there was a divergence between the "public morality" of law and the actual practices indulged in, a fact that undercuts the idea of America as a historically anti-abortion countryHow legalization was a way to bring law in line with actual social practices, and how Roe was not a spontaneous departure from law, but the result of a social movement that sought to expose what women knew but had not been able to sayWhy Roe v. Wade was not a radical opinion, and in fact disappointed feminists, but came out of the Court's acceptance of the fact that criminalizing abortion was incompatible with any reasonable notion of liberty(though men of the Court appeared to care more about the liberty of doctors than women)This is the third in our series of episodes on abortion in America. Part I, in which Carole Joffe explained the "obstacle course" that (even pre-Dobbs) faced those seeking abortion, is here. Part II, in which Diana Greene Foster discusses the empirical evidence that abortion makes women's lives better off, is here.For an explanation of why Samuel Alito's legal reasoning was garbage, see here. For a discussion of how the abortion decision delegitimizes the court, see here. For the perspective of a doctor on how the decision will force medical practitioners to act unethically by withholding necessary care, see here. For more on the case of Shirley Wheeler, see here.
Robin D.G. Kelley is a professor of American History at UCLA. His classic study Freedom Dreams: The Black Radical Imagination is about to be re-released in a 20th Anniversary Edition. The book looks at how, throughout Black history, movements against oppression have been inspired by (and produced) grand visions of alternate possibilities for what life could be. Kelley shows how radicals have, in circumstances of grinding oppression, managed to expand our minds as to what is possible. Kelley's book looks at communism, surrealism, Pan-Africanism, and even funk and jazz music, to show the colorful and marvelous dreams that have kept social movements alive. His book is invaluable for leftists, because it shows how in addition to our critiques of capitalism, racism, and patriarchy, we can present inspiring and creative new cultural practices. The revolution needs poetry, dance, and fiction, and Kelley shows us that movement activists have always been dreamers as well as doers.The Movement For Black Lives' "Vision for Black Lives" Agenda can be found here. More about the great Black Surrealist Ted Joans can be found here. Franklin Rosemont's book Dancin' In The Streets! Anarchists, IWWs, Surrealists, Situationists & Provos In The 1960s is another useful resource. The Times review of Kelley's Thelonious Monk can be found here.
The war in Afghanistan was a calamity from the start and four US presidents (Bush, Obama, Trump, Biden) have deceived the American public about it as they wrecked the country. This is the inescapable conclusion one gets from reading Washington Post reporter Craig Whitlock's bestselling book The Afghanistan Papers: A Secret History of the War (Simon & Schuster). Whitlock obtained internal government records showing that U.S. officials at every level knew that the war lacked coherent objectives and that it was costing untold Afghan and U.S. lives with little benefit to anyone. As the Pentagon Papers did for Vietnam, The Afghanistan Papers exposes the way U.S. officials manipulated public perception and buried inconvenient facts over the course of a 20-year quagmire. Today on the podcast, Whitlock joins to explain the revelations contained in this "secret history" and recount the true facts of a military mission that has ended with the Taliban back in power and the country in ruins.The Washington Post report by Susannah George on the starvation of the Afghan people is here. The 2001 story about the U.S. rejecting a Taliban offer to turn over Osama bin Laden is here.
Financial Times journalist Simon Kuper's book Chums: How a Tiny Caste of Oxford Tories Took Over the UK argues that in order to understand how power works in the UK, you have to examine Oxford University, where most of its prime ministers are educated. The university has long functioned as the springboard to power for aspiring UK politicians, and Kuper takes us inside this insidious clubhouse, delivering a "searing critique of the British ruling class." Kuper argues that Brexit, far from being a "populist" revolt, would not have been possible without Oxford-educated Tory elites who were in search of a grand political project. Kuper discusses the disturbingly reactionary culture of the Oxford that nurtured Boris Johnson (as well as its low intellectual standards), and explains why—although certain improvements have been made—he believes the university should stop teaching undergrads altogether in order to diversity the pool of backgrounds of those who end up in British politics.The clip at the beginning is taken from the 1981 Granada Television adaptation of Brideshead Revisited, which Kuper says many Oxford students in Thatcher-era Britain watched and consciously tried to emulate.The Guardian's review of Chums is here. Nathan's own article on the life and career of Boris Johnson is here.
Molly White is the world's foremost critic of cryptocurrency, according to a recent profile in the Washington Post. A veteran Wikipedia editor and software developer, White documents the frauds and catastrophes in the so-called "Web3" space on her website Web 3 Is Going Great. Molly actually drafted the Web3 Wikipedia entry, and joins today to explain whether it is anything more than a buzzword and how we can make sense of the bizarre ecosystem of cryptocurrency, Web3, blockchain, etc.We discuss:The popularity of the Web3 buzzwordThe bizarre culture around cryptocurrency including the Fyre Festival-like "Cryptoland" island that some proponents tried to buildHow the critics of cryptocurrency are maligned and treated as stupidHow the uncritical endorsement of crypto projects by celebrities and politicians is causing ordinary people to be swindled out of their moneyThe failure of Congress to properly regulate the sector including the dangerously pro-crypto framework put forth by senators Gillibrand and LummisWhy blockchain is not going to improve Wikipedia, and why technology can't solve deep structural economic problems more generally"I think a lot of my criticisms of crypto come down to that: A lot of these projects are seeking to find technological solutions to what are truly social and political problems." — Molly WhiteMolly's writings can be found here. The open letter to Congress that she co-signed is here. Here commentary on the "Cryptoland" video (and a link to the video itself) is here. The celebrity crypto ads feature Matt Damon, LeBron James, Spike Lee, and Larry David. Note that in fine print at the end of the LeBron ad, one can see the ominous warning "Before deciding to trade cryptocurrencies, consider your risk appetite." Though the line is not quoted in this program, the Spike Lee commercial features the "do your own research" exhortation that Molly discusses. Here is the clip of senators Kirsten Gillibrand and Cynthia Lummis plugging the idea of investing retirement savings in cryptocurrency. The honey badger video, for those who want to take a trip down memory lane, is here."I put a lot of time into trying to figure out whether this was just an elaborate parody or not. But I believe they were in fact trying to build a real crypto island." — Molly White
Alex Vitale is one of the country's foremost experts on policing and criminal punishment. He is a professor of Sociology at Brooklyn College and the CUNY Graduate Center, where he coordinates the Policing and Social Justice Project. His book The End of Policing is a comprehensive critique of U.S. police and argues that nearly everything useful done by police can be done better by other institutions. (The book was published in 2017 but recently got an unexpected boost from U.S. senator Ted Cruz.) Prof. Vitale joined to discuss how the recent shooting in Uvalde (and the disastrous police response) and the successful recall of San Francisco's "progressive prosecutor," Chesa Boudin, should inform our thinking about police and punishment. We discuss:Why Ted Cruz thought of The End of Policing as "critical race theory"How the Uvalde shooting shows why policing can't be relied on to protect students from violenceWhy criticizing policing as an institution actually shows that individual police themselves are not the problem, because they are being asked to solve problems that the tools of police are inadequate to solveHow this was also evident in the San Francisco prosecution conflict: reformer Chesa Boudin was held responsible for problems that a prosecutor's office cannot solve (a problem that Prof. Vitale thinks shows the limits of the progressive prosecutor strategy on its own)How district attorney Larry Krasner in Philadelphia, another public defender pursuing a reformist mission, avoided being ousted like BoudinWhy we need to stop talking about stopping crime as if the question is "more policing" or "less policing," instead of talking about how to replace policingWhy Matthew Yglesias' criticism of The End of Policing is silly and wrongHow those of us committed to opposing the existing criminal punishment system can show that we actually care more about preventing violent crime than those pushing for more policingThe Scientific American article on Denver's Support Team Assistance Response (STAR) program is here: "Sending Health Care Workers instead of Cops Can Reduce Crime." The terrible Matthew Yglesias review of The End of Policing that Prof. Vitale responds to is here, and the article on it in Current Affairs by Alec Karakatsanis is here. The idea of "simultaneous overpolicing and underpolicing" that Prof. Vitale critiques is discussed here by Jenée Desmond-Harris. The interview with Rosa Brooks that Nathan mentions is here and the John Pfaff article debunking some misconceptions about the public response to progressive prosecutors is here. Derecka Purnell's book Becoming Abolitionists can be purchased here.
Hugh Ryan is a writer and curator who unearths and preserves lost queer history. His books When Brooklyn Was Queer and The Women's House of Detention both tell stories of LGBTQ life before Stonewall, showing the vibrant and diverse lives of queer people in the United States in the early 20th century that have been left out of history textbooks. The New York Times calls When Brooklyn Was Queer "a boisterous, motley new history… an entertaining and insightful chronicle.” Writer Kaitlyn Greenidge says of Hugh that he is "one of the most important historians of American life working today" and The Women's House of Detention "resets so many assumptions about American history, reminding us that the home of the free has always been predicated on the imprisonment of the vulnerable." In this episode, we discuss how important stories get forgotten, and Hugh tells us the story of the Women's House of Detention in New York City, and why its ignominious history makes a strong case for prison abolition.
Celeste Lay is a professor of political science at Tulane University and the author of Public Schools, Private Governance: Education Reform and Democracy in New Orleans, which discusses the New Orleans charter school experiment. Since Hurricane Katrina in 2005, New Orleans has switched to an all-charter system, essentially abolishing public schools, as part of one of the most radical experiments in "education reform" anywhere. Prof. Lay discusses the politics that made this change possible, shows what the lack of democratic accountability for schools has meant for New Orleans, and evaluates the reform experiment. In this episode we discuss what happened and why, and what we know about whether the "all charter" system actually served children and communities. We also talk about the question of why democracy matters: what happens when you take it away? How does it change an institution? What does "private governance" of public institutions mean in practice?A New Orleans charter school sponsored by Capital One in a school building previously named for Thurgood Marshall (The Lens)
The architect Christopher Alexander died recently. As the (surprisingly good) New York Times obituary described him:[Alexander] believed that ordinary people, not just trained architects, should have a hand in designing their houses, neighborhoods and cities, and proposed a method for doing so in writing that could be poetically erudite, frustratingly abstract and breathtakingly simple... Mr. Alexander was a fierce anti-modernist who found traditional and indigenous structures — the beehive-shaped huts of North Africa, for example, or medieval Italian villages — more aesthetically pleasing than highly designed contemporary ones, which he saw as ugly and soulless.Alexander has long been an inspiration here at Current Affairs and his work has been mentioned in a number of articles. (1) (2) (3) (4)In this interview, Nathan talks to his old friend, city engineer and planner Daniel Ohrenstein, about why they both love Alexander's writing and how Alexander can help us think more clearly about what's wrong with contemporary architecture and how to build beautiful places.A transcript of this interview, with lots of photos including some of Alexander's own built work, appears here."What emerges from A Pattern Language is a vision of life and how it should be. A society where people are mixing and aren’t isolated. There’s a good saying: when the revolution starts, everyone should know where to go. And if you think about your town, what is the public square? Having a center or public square where people gather is part of being in a real city. Having civic life means having these public spaces. And in these spaces, you can have carnivals, you can have old people and young people playing chess outside. What makes an idyllic city? It’s certainly one that has social engagement. Another suggestion in A Pattern Language is animals everywhere. I was at Whole Foods the other day and I got startled by a sandhill crane. It came up to me and squawked. That kind of interaction is important. Like: Don’t forget there are other beings that inhabit the planet." — Daniel Ohrenstein
The bestselling novels of Sally Rooney have been subject to endless chatter. She has been hailed as the great millennial novelist by some, her work called "extraordinarily lucid, gorgeous and nuanced." (Washington Post) On the other hand, there are those who say that "Rooney and her readers hope to bask in the self-congratulatory glow of their supposed egalitarianism without ceding any of their accolades." Current Affairs editors Yasmin Nair, Lily Sánchez, and Nathan J. Robinson decided to sit down with Rooney's books and figure out where they stand, whether they "hate" Rooney or are part of the "cult."